Monday, May 3, 2010
48 Hour Film Project SLC
Filmmakers and Film Fans,
Just a reminder about our first get together this coming Wednesday.
CREW MEET AND GREET
May 5th, 7pm- 9pm, Noodles & Co, 5207 South State Street, Murray.
Lonely editor without a team? Team missing a DP? Well come along to Noodles and ease your hunger while mixing, matching and filling the empty spots on your team as well as those empty spots in your belly!
SLC 48HFP screening groups are nearly complete. To reserve your space, register your team now at: http://www.48hourfilm.com/saltlakecity
Brian Higgins
Salt Lake City Producer
48 Hour Film Project, Inc.
http://www.48hourfilm.com/saltlakecity
saltlakecity@48hourfilm.com
Just a reminder about our first get together this coming Wednesday.
CREW MEET AND GREET
May 5th, 7pm- 9pm, Noodles & Co, 5207 South State Street, Murray.
Lonely editor without a team? Team missing a DP? Well come along to Noodles and ease your hunger while mixing, matching and filling the empty spots on your team as well as those empty spots in your belly!
SLC 48HFP screening groups are nearly complete. To reserve your space, register your team now at: http://www.48hourfilm.com/saltlakecity
Brian Higgins
Salt Lake City Producer
48 Hour Film Project, Inc.
http://www.48hourfilm.com/saltlakecity
saltlakecity@48hourfilm.com
Saturday, April 3, 2010
Look Alikes
When I saw this poster for Tim Burton's Alice in Wonderland, I thought it was Elijah Wood playing the Mad Hatter, not Johnny Depp.
Can you see why I was confused?
As expected, I loved the film.
Monday, March 22, 2010
PBS opens national stage for West High students
Reprinted from the Salt Lake Tribune website today:
PBS opens national stage for West High students
SLC school is among 6 in nation chosen to participate in Student Reporting Lab.
By Rosemary Winters
The Salt Lake Tribune
Updated: 03/22/2010 07:05:42 AM MDT
Students in West High School's TV West class dash around a low-budget television studio with shag carpet and turquoise couches. Three kids huddle around a microphone after the second-period bell rings to deliver morning announcements to classroom speakers.
The class, split into two periods of 25 or so students each, produces a weekly TV news show that airs Fridays in first period. But thanks to a new partnership with PBS NewsHour Extra, these student reporters are now tackling national news stories that reach beyond the day-to-day talk of baseball games and junior prom.
They're producing videos about the U.S. Supreme Court and global climate change for national viewers.
NewsHour Extra, an online educational branch of the Washington, D.C.-based NewsHour with Jim Lehrer, has launched a Student Reporting Lab with a $200,000 grant from the Corporation for Public Broadcasting.
Salt Lake City's West High is one of six high schools across the country chosen to participate this year. The other schools are in Pennsylvania, Connecticut, Texas, Louisiana and Washington, D.C.
"I see [reporting] as a form of learning," says Leah Clapman, managing editor of education at NewsHour Extra. "Making connections to what's going on in the world to your curriculum is a very important motivating factor for young people."
For their first assignment, students in the TV West class produced two videos about the U.S. Supreme Court. One group examined the tension between parental rights and children's individual rights. A second looked at rulings that upheld students' First Amendment rights to freedom of speech.
"It was a lot more interesting" than routine school news, said West High senior Clara Purk. "It was interesting to learn how Utah is so parental-rights focused."
Now, Purk and other students are reporting on global warming, including scientific findings and the fiery political debate the topic generates in Utah's conservative Legislature.
As part of the reporting lab, the TV West class has teamed up with Utah Education Network, a public media station. UEN, in turn, offers mentors and assistance tracking down experts to interview. KUER reporter Dan Bammes coached the fledgling journalists on story telling and script writing for their Supreme Court pieces.
"It's been awesome for my kids," said West High teacher Jared Wright, who noted the students already do four in-depth features a year to air on the school news program. "When they got this assignment from PBS, it was really quite natural for them."
NewsHour Extra also provided TV West with file footage to use in student reports and a $1,000 grant to spend on
equipment -- a "boon," Wright said, in a year when he's been told he does not have any money to buy new video gear. The students' videos are posted on the NewsHour Extra Web site and could be plugged during a NewsHour broadcast.
PBS NewsHour, Clapman said, is interested in gathering student perspectives on national stories, cultivating more savvy consumers of news and mentoring the next generation of journalists.
"I want to do this in real life," Purk said. "It is something that I'm very passionate about."
Purk leans toward documentary or dramatic filmmaking, but she's also open to broadcast journalism. She has been offered a debate scholarship to the University of Southern California, and she's crossing her fingers that she gets accepted into the film program. She hopes her work producing videos for TV West and an advanced film class will give her an edge.
"If I get into the film school it's definitely because of this," says Purk, 17. "I could not have done anything I've accomplished [in film] without this class and without the equipment."
rwinters@sltrib.com
PBS opens national stage for West High students
SLC school is among 6 in nation chosen to participate in Student Reporting Lab.
By Rosemary Winters
The Salt Lake Tribune
Updated: 03/22/2010 07:05:42 AM MDT
Students in West High School's TV West class dash around a low-budget television studio with shag carpet and turquoise couches. Three kids huddle around a microphone after the second-period bell rings to deliver morning announcements to classroom speakers.
The class, split into two periods of 25 or so students each, produces a weekly TV news show that airs Fridays in first period. But thanks to a new partnership with PBS NewsHour Extra, these student reporters are now tackling national news stories that reach beyond the day-to-day talk of baseball games and junior prom.
They're producing videos about the U.S. Supreme Court and global climate change for national viewers.
NewsHour Extra, an online educational branch of the Washington, D.C.-based NewsHour with Jim Lehrer, has launched a Student Reporting Lab with a $200,000 grant from the Corporation for Public Broadcasting.
Salt Lake City's West High is one of six high schools across the country chosen to participate this year. The other schools are in Pennsylvania, Connecticut, Texas, Louisiana and Washington, D.C.
"I see [reporting] as a form of learning," says Leah Clapman, managing editor of education at NewsHour Extra. "Making connections to what's going on in the world to your curriculum is a very important motivating factor for young people."
For their first assignment, students in the TV West class produced two videos about the U.S. Supreme Court. One group examined the tension between parental rights and children's individual rights. A second looked at rulings that upheld students' First Amendment rights to freedom of speech.
"It was a lot more interesting" than routine school news, said West High senior Clara Purk. "It was interesting to learn how Utah is so parental-rights focused."
Now, Purk and other students are reporting on global warming, including scientific findings and the fiery political debate the topic generates in Utah's conservative Legislature.
As part of the reporting lab, the TV West class has teamed up with Utah Education Network, a public media station. UEN, in turn, offers mentors and assistance tracking down experts to interview. KUER reporter Dan Bammes coached the fledgling journalists on story telling and script writing for their Supreme Court pieces.
"It's been awesome for my kids," said West High teacher Jared Wright, who noted the students already do four in-depth features a year to air on the school news program. "When they got this assignment from PBS, it was really quite natural for them."
NewsHour Extra also provided TV West with file footage to use in student reports and a $1,000 grant to spend on
equipment -- a "boon," Wright said, in a year when he's been told he does not have any money to buy new video gear. The students' videos are posted on the NewsHour Extra Web site and could be plugged during a NewsHour broadcast.
PBS NewsHour, Clapman said, is interested in gathering student perspectives on national stories, cultivating more savvy consumers of news and mentoring the next generation of journalists.
"I want to do this in real life," Purk said. "It is something that I'm very passionate about."
Purk leans toward documentary or dramatic filmmaking, but she's also open to broadcast journalism. She has been offered a debate scholarship to the University of Southern California, and she's crossing her fingers that she gets accepted into the film program. She hopes her work producing videos for TV West and an advanced film class will give her an edge.
"If I get into the film school it's definitely because of this," says Purk, 17. "I could not have done anything I've accomplished [in film] without this class and without the equipment."
rwinters@sltrib.com
Thursday, March 11, 2010
Environmental Film Series
Swanner Eco-Center in Park City is doing its Environmental Film Series again in 2010. Yah!
FUEL
Wednesday, March 17, Evening
FUEL is an entertaining and comprehensive look at energy in America: a history of where we have been, our present predicament and a solution to our dependence on foreign oil.
Josh Tickell's stirring, radical and multi-award winning FUEL may be known by some as the "little energy documentary," but in truth, it's a powerful portrait of America's overwhelming addiction to, and reliance on, oil. Rousing and reactionary, this film will leave you feeling hopeful and inspired.
In addition to the film, Johnny O'hara, the film's screenwriter, will be speaking before the film. Time and ticket price TBA.
Reservations for the film are required. Please RSVP to Nell@SwanerEcoCenter.org or 435-649-1767 ext. 103.
FUEL
Wednesday, March 17, Evening
FUEL is an entertaining and comprehensive look at energy in America: a history of where we have been, our present predicament and a solution to our dependence on foreign oil.
Josh Tickell's stirring, radical and multi-award winning FUEL may be known by some as the "little energy documentary," but in truth, it's a powerful portrait of America's overwhelming addiction to, and reliance on, oil. Rousing and reactionary, this film will leave you feeling hopeful and inspired.
In addition to the film, Johnny O'hara, the film's screenwriter, will be speaking before the film. Time and ticket price TBA.
Reservations for the film are required. Please RSVP to Nell@SwanerEcoCenter.org or 435-649-1767 ext. 103.
Wednesday, March 10, 2010
Coen Brother's Grit Shooting in Utah?
In January at the Sundance festival it was announced that the Coen brothers were scouting locations in Utah for at least one scene in their upcoming remake of True Grit, the 1969 western starring John Wayne. This month Ethan and Joel Coen begin filming in Santa Fe. This year's Academy Award winner for best actor, Jeff Bridges, dons another cowboy hat to take on the Wayne role. Matt Damon and Josh Brolin serve in the other leading roles. Still hoping the big shoot out finale will take place here in the beehive state.
Tuesday, March 9, 2010
Monday, March 8, 2010
Utah Oscar Connection
Any Utah connections to the Oscars this year? I only know of one. Utah local, Geralyn White Dreyfous co-founded Impact Partners who brought the filmmakers of The Cove (Best Documentary) together with their investors. The film showed at last year's Sundance Film Festival and picked up the Audience Award and also picked up distribution with Roadside Attractions. Congratulations to everyone involved along The Cove's road to success!
Friday, February 26, 2010
Large-Budget Movie Filming in Utah
(Taylor Kitsch stars as John Carter in upcoming film to be shot mostly in Utah)
Tuesday, Feb 9, 2010 @12:07pm CST
The state of Utah is again seeing stars.
Walt Disney Studios is filming “A Princess of Mars” in different locations around the state. The movie is based on the first novel in the “John Carter of Mars” series by Edgar Rice Burroughs.
Disney is expected to spend as much as $60 million in Utah, including $10 million in Grand County alone.
The studio plans to hire hundreds of people for the shoot. If you are interested, send a resume to jcomoffice@gmail.com . Officials ask that you don’t call. The resumes will then be forwarded to Disney for consideration.
From: http://connect2utah.com
Thursday, February 25, 2010
MEISNER: BY THE BOOK
Event Description:
What we are calling the class: "MEISNER: BY THE BOOK"
Time: March 2, 2010 from 7pm to 9:30pm
Location: Jeff Johnson Casting Studio
Organized By: Tye
When is the class: Currently we will start March 2nd, and will continue Tuesday nights. Class will start promptly at 7 pm and will go for approximately 2 1/2 hours.
Where will the class be held: The class will be held at (Jeff Johnson Casting: 2150 S. Main st. Suite 102, SLC UT 84115)
Who will be running the class: There is no coach/instructor for the class, there is a group of guides who have all had Meisner training, some have had more experience than others, the real coach will be "the books", hence the name of the class. ( I would advise picking up THE SANFORD MEISNER APPROACH WORKBOOK 1 and reading the first couple chapters before March 2nd just to get ahead of the game)
How much will the class cost: Again, since there is no coach, the only concerns we have are rental space and upkeep, so for the majority of the participants the class will only be $5 a week. (yes thats right, five... not a typo)
SUPPLIES
The Sanford Meisner Approach Workbooks 1-4
You'll also need a journal. something to write in for the class.
thank you, we are all really excited to see where this class goes.
Tye
Monday, February 22, 2010
Another Job Posting
Football Video Coordinator
If you run a camera well, know all about NCAA football (and love it, especially the cougars), and have a bachelor's degree, I may have just found you your ideal job:
https://yjobs.byu.edu/applicants/jsp/shared/frameset/Frameset.jsp?time=126685877727
Friday, February 19, 2010
New Moon
I went and saw this movie on Tuesday night for a dollar. The plot was good, good enough that I still plan to read the book, but the movie was bad. SO. BAD.
Thursday, February 18, 2010
Worst Kisser in Hollywood
Now, despite being a rather attractive man who is incredibly talented and has a great set of lips, I practically gag whenever I see him in a kissing scene. Seriously, do you watch Scrubs or anything else with him kissing in it? It's gross.
Monday, February 15, 2010
SLC Producer Wanted
Dear 48 hour filmmakers and fans:
After two great years of the 48 Hour Film Project in Salt Lake City, Lance Youngberg is moving on. We at the 48HFP thank him for his work on the Project.
The 48HFP is now looking for a new Salt Lake City Producer. He or she will be responsible for getting the word out about the 48HFP; reserving theaters; running the kickoff, dropoff, and screenings; and making sure the filmmakers have a good time. Good organizational, communication, writing, Word, Excel, and email skills are essential.
This is a paid position. The Salt Lake City Producer cannot participate in the 48 Hour Film Project.
If you're interested, or know someone who is, please send a resume and a cover email to ben@48hourfilm.com -- and be sure to include a phone number.
Please don't email questions without attaching a resume.
Thanks!
Best,
Ben Guaraldi
Director of Outreach
48 Hour Film Project
http://www.48hourfilm.com/
After two great years of the 48 Hour Film Project in Salt Lake City, Lance Youngberg is moving on. We at the 48HFP thank him for his work on the Project.
The 48HFP is now looking for a new Salt Lake City Producer. He or she will be responsible for getting the word out about the 48HFP; reserving theaters; running the kickoff, dropoff, and screenings; and making sure the filmmakers have a good time. Good organizational, communication, writing, Word, Excel, and email skills are essential.
This is a paid position. The Salt Lake City Producer cannot participate in the 48 Hour Film Project.
If you're interested, or know someone who is, please send a resume and a cover email to ben@48hourfilm.com -- and be sure to include a phone number.
Please don't email questions without attaching a resume.
Thanks!
Best,
Ben Guaraldi
Director of Outreach
48 Hour Film Project
http://www.48hourfilm.com/
Tuesday, February 9, 2010
SAG Awards
I didn't watch the live televised broadcast of the SAG Awards on Jan. 23rd, but I did watch some of the acceptance speeches on their official website via YouTube. You can find a list of all the winners at:
http://www.sagawards.org/PR_100123
The cast of Glee won the award for Outstanding Performance my an Ensemble in a Comedy Series.
http://www.sagawards.org/PR_100123
The cast of Glee won the award for Outstanding Performance my an Ensemble in a Comedy Series.
Monday, February 8, 2010
Sundancing Part II
I profusely apologize for the two-week delay in posts. My sister Sarah was supposed to join me for the final weekend of Sundance but instead went into the hospital for emergency brain surgery. If you are a person of faith, please keep her in your prayers. If you are a believer in healing, please send her your positive energies.
But, on a lighter note, back to Sundance. The second film Lacey and I saw was called The Company Men. It was set in Boston and had an all-star cast of Kevin Costner, Tommy Lee Jones, Chris Cooper, and Ben Affleck, amongst others. It was about massive lay-offs at a transportation company and the way some of the individual employees dealt with it. I really loved seeing how Affleck's character was so defined by his work and without it he really had to redefine himself. But overall the film was a bit long and just too depressing. The best acting may have come from a lesser-known artist named Rosemary DeWitt. She is beautiful and talented and I look forward to seeing her in more films.
The incomparable Tommy Lee Jones.
Ron Livingston and Rosemary DeWitt
Does anyone know this actress' name? She was uncredited in the film but I know I've seen her in something before.
Chris Cooper shook my hand but didn't stop for a photo so I had to snap one of him later.
Michael Moore was sitting not far behind us.
John Wells, experienced writer and producer, had his directorial debut in film with The Company Men. He is the one at the mic shown here at the Q&A session after the film.
Lacey and I with Tom Arnold.
With Ben Affleck.
But, on a lighter note, back to Sundance. The second film Lacey and I saw was called The Company Men. It was set in Boston and had an all-star cast of Kevin Costner, Tommy Lee Jones, Chris Cooper, and Ben Affleck, amongst others. It was about massive lay-offs at a transportation company and the way some of the individual employees dealt with it. I really loved seeing how Affleck's character was so defined by his work and without it he really had to redefine himself. But overall the film was a bit long and just too depressing. The best acting may have come from a lesser-known artist named Rosemary DeWitt. She is beautiful and talented and I look forward to seeing her in more films.
The incomparable Tommy Lee Jones.
Ron Livingston and Rosemary DeWitt
Does anyone know this actress' name? She was uncredited in the film but I know I've seen her in something before.
Chris Cooper shook my hand but didn't stop for a photo so I had to snap one of him later.
Michael Moore was sitting not far behind us.
John Wells, experienced writer and producer, had his directorial debut in film with The Company Men. He is the one at the mic shown here at the Q&A session after the film.
Lacey and I with Tom Arnold.
With Ben Affleck.
Saturday, January 23, 2010
Sundancing
I don't mind saying that I know how to Sundance. It's a simple fact. I do it and I do it well:)
Friday morning I checked out the same-day ticket releases at the Sundance Main Box Office. For the first two dozen people in line they are fantastic. I wasn't early enough to be one of those so I didn't bother waiting in line. I sold the tickets I had to a Friday morning show and a Monday evening show. I still have tickets to a premier on Tuesday night that I just realized I can't go to, so leave a comment or email me if you're interested in seeing It's a Wonderful Afterlife at 6:15 on the 26th.
Lacey and I got to Eccles Theater around 5:15pm on Friday. We saw John Carroll Lynch leaving the premier of Hesher.
We wandered about looking for tickets to Please Give and snagged some fairly quickly but not before getting blanketed in thick snow. Watched America Ferrera taking press shots before heading in to screen the film with us (She is incredibly short (!) and beautiful).
Stars Catherine Keener, Oliver Platt, and Amanda Peet were in attendance along with the rest of the cast and writer/director Nicole Holofcener . It was a well-written, well-acted film. It had a good plot but more than anything it featured the complexities of the human heart, mind, and soul.
Holofcener and the cast took questions from the audience after the film, which was really fun.
Dumbest audience question: "Oliver, your character seemed to be in a good marriage, why did he cheat?"
Got these shots with cast members after the film:
Thomas Ian Nicholas
Rebecca Hall
(More Sundance reports to come)
Friday morning I checked out the same-day ticket releases at the Sundance Main Box Office. For the first two dozen people in line they are fantastic. I wasn't early enough to be one of those so I didn't bother waiting in line. I sold the tickets I had to a Friday morning show and a Monday evening show. I still have tickets to a premier on Tuesday night that I just realized I can't go to, so leave a comment or email me if you're interested in seeing It's a Wonderful Afterlife at 6:15 on the 26th.
Lacey and I got to Eccles Theater around 5:15pm on Friday. We saw John Carroll Lynch leaving the premier of Hesher.
We wandered about looking for tickets to Please Give and snagged some fairly quickly but not before getting blanketed in thick snow. Watched America Ferrera taking press shots before heading in to screen the film with us (She is incredibly short (!) and beautiful).
Stars Catherine Keener, Oliver Platt, and Amanda Peet were in attendance along with the rest of the cast and writer/director Nicole Holofcener . It was a well-written, well-acted film. It had a good plot but more than anything it featured the complexities of the human heart, mind, and soul.
Holofcener and the cast took questions from the audience after the film, which was really fun.
Dumbest audience question: "Oliver, your character seemed to be in a good marriage, why did he cheat?"
Got these shots with cast members after the film:
Thomas Ian Nicholas
Rebecca Hall
(More Sundance reports to come)
Thursday, January 21, 2010
LDSFF 24 Hour Marathon Screenings
It was a relief to find out that I hadn't gone mad and in fact several of the films that were screened tonight at the LDS Film Festival's 24 Hour Marathon session were longer than the allotted 3 minutes. Marathon session indeed, as it took the better part of 3 hours to screen all 49 completed entries. Overall, the competition was a smashing success, not due to an abundance of highly polished, Hollywood-ready films, but for the effort and creativity shown by the competitors.
I should mention that I'm a bean counter by training and that all of the hundreds (seemingly) of hours of videotape that I have shot are of my family. Through my association with Provo Creative I have been exposed to some of the elements of filmmaking and it's with that eye that I can appreciate that each of these films were created start to finish in less than 24 hours. Someone had to write the scripts, act out the parts, and produce and edit the film. Those "someones" have a lot more talent than I do at making films and tonight's screening was a fun celebration of said talent.
I had the good fortune of bumping and sitting next into a friend from Southern California, Alma Mills, an LDS filmmaker and producer, who was in town for the festival. He, along with well-known actor-producer Jeff Chamberlain (who just happens to be my brother-in-law), both saw the 24 hour marathon for what it is: a chance to practice one's skills as a filmmaker or actor. They were both kind in their reviews of the screenings, likely due to having been there and done it (or something similar) themselves.
There were some films that stood out and will likely win one of the awards, which will be presented on Saturday night. I haven't yet seen Avatar, but it was easy to see that entry #18, "Ratava" was spoofing it. Entry #10, "Blind Date" was one of my early favorites based on a nice use of split screen editing and funny story line. The audience seemed to really like the Zombie tutorial (#13 Boo?), although to me it was representative of the many entries that virtually ignored the theme of the competition(Charity) and the theme of film festival (LDS).
No, I wasn't expecting to see 50 seminary-worthy films, but for my taste there were too many that essentially ignored the specified or implied themes, cashing in on cheap humor, violence, or stale story lines. Sound issues got the better of many of the entries, and the acting was generally ok, with a few excellent standouts, like #44 "A Favor for Edgar."
I was happy to be associated with the 5 Provo Creative teams (#26, #27, #28, #38, #) whose entries can be seen on our YouTube Channel. Our films ranged from fairytale-ish (I cried) to spoofs (I laughed) to sexy ninjas on a green screen (I'm still confucius-ed). Yes, I am biased due to knowing the participants. No, my votes for favorite didn't just go to the Provo Creative group...but the film I liked the best was #26 The Princess and The Stone. Was it because Pete Hansen, my Provo Creative partner, was the DP? Maybe, maybe not. What I do know is that the film moved me, stayed on theme, and could be shown to family members of all ages. Good stuff Pete, Susan Phelan, Kami Coleman, Marlys Fladeland, and Kjirstin Youngberg.
Below is the official list of completed entries. I'll link them as the info becomes available. Please feel free to comment with a link that I don't have yet so I can update the list.
#1 Absolam
#2 The Guitarist
#3 The Rock of Charity
#4 Eternity Star
#5 For the Children
#6 The Day
#7 The Imposing Rose
#8 The Cave of the Chupacabra
#9 Father Dearest
#10 Blind Date
#11 Secret Santa
#12 Wednesday in Replay
#13 Boo
#14 I Want a Rock
#15 To Be Seen of Men
#16 Crank It Back Up
#17 Might Mind Strength
#18 Ratava
#19 Stone's Throwaway
#20 Rug Rocks
#21 The Jumper
#22 Sensible + Polite
#23 Special Delivery
#24 Decent Proposal
#25 A Bad Case of Virtues
#26 The Princess and the Stone
#27 Button
#28 Reginald
#29 The Friendless Monkey
#30 (Did not finish the competition)
#31 Big Trouble in Little Comic Shop
#32 Rock Wow!
#33 Brothers
#34 Reflections of Teenage Philosophy
#35 Citizen of the Week
#36 Love Thy Self as Thy Self
#37 Let Not Your Left Hand Know
#38 The Ninjas, the Green Screen, and the Pebble of Wisdom
#39 All Rocked Out
#40 On the Rocks
#41 Art Gallery Ettiquette
#42 Stone's Throw
#43 Plan B
#44 A Favor for Edgar
#45 Helping Happy
#46 La Leyenda De La Tortilla
#47 The Cupcake Helper
#48 What Makes a Great Man
#49 Prairie Dawn
#50 I'm the One Who...
I should mention that I'm a bean counter by training and that all of the hundreds (seemingly) of hours of videotape that I have shot are of my family. Through my association with Provo Creative I have been exposed to some of the elements of filmmaking and it's with that eye that I can appreciate that each of these films were created start to finish in less than 24 hours. Someone had to write the scripts, act out the parts, and produce and edit the film. Those "someones" have a lot more talent than I do at making films and tonight's screening was a fun celebration of said talent.
I had the good fortune of bumping and sitting next into a friend from Southern California, Alma Mills, an LDS filmmaker and producer, who was in town for the festival. He, along with well-known actor-producer Jeff Chamberlain (who just happens to be my brother-in-law), both saw the 24 hour marathon for what it is: a chance to practice one's skills as a filmmaker or actor. They were both kind in their reviews of the screenings, likely due to having been there and done it (or something similar) themselves.
There were some films that stood out and will likely win one of the awards, which will be presented on Saturday night. I haven't yet seen Avatar, but it was easy to see that entry #18, "Ratava" was spoofing it. Entry #10, "Blind Date" was one of my early favorites based on a nice use of split screen editing and funny story line. The audience seemed to really like the Zombie tutorial (#13 Boo?), although to me it was representative of the many entries that virtually ignored the theme of the competition(Charity) and the theme of film festival (LDS).
No, I wasn't expecting to see 50 seminary-worthy films, but for my taste there were too many that essentially ignored the specified or implied themes, cashing in on cheap humor, violence, or stale story lines. Sound issues got the better of many of the entries, and the acting was generally ok, with a few excellent standouts, like #44 "A Favor for Edgar."
I was happy to be associated with the 5 Provo Creative teams (#26, #27, #28, #38, #) whose entries can be seen on our YouTube Channel. Our films ranged from fairytale-ish (I cried) to spoofs (I laughed) to sexy ninjas on a green screen (I'm still confucius-ed). Yes, I am biased due to knowing the participants. No, my votes for favorite didn't just go to the Provo Creative group...but the film I liked the best was #26 The Princess and The Stone. Was it because Pete Hansen, my Provo Creative partner, was the DP? Maybe, maybe not. What I do know is that the film moved me, stayed on theme, and could be shown to family members of all ages. Good stuff Pete, Susan Phelan, Kami Coleman, Marlys Fladeland, and Kjirstin Youngberg.
Below is the official list of completed entries. I'll link them as the info becomes available. Please feel free to comment with a link that I don't have yet so I can update the list.
#1 Absolam
#2 The Guitarist
#3 The Rock of Charity
#4 Eternity Star
#5 For the Children
#6 The Day
#7 The Imposing Rose
#8 The Cave of the Chupacabra
#9 Father Dearest
#10 Blind Date
#11 Secret Santa
#12 Wednesday in Replay
#13 Boo
#14 I Want a Rock
#15 To Be Seen of Men
#16 Crank It Back Up
#17 Might Mind Strength
#18 Ratava
#19 Stone's Throwaway
#20 Rug Rocks
#21 The Jumper
#22 Sensible + Polite
#23 Special Delivery
#24 Decent Proposal
#25 A Bad Case of Virtues
#26 The Princess and the Stone
#27 Button
#28 Reginald
#29 The Friendless Monkey
#30 (Did not finish the competition)
#31 Big Trouble in Little Comic Shop
#32 Rock Wow!
#33 Brothers
#34 Reflections of Teenage Philosophy
#35 Citizen of the Week
#36 Love Thy Self as Thy Self
#37 Let Not Your Left Hand Know
#38 The Ninjas, the Green Screen, and the Pebble of Wisdom
#39 All Rocked Out
#40 On the Rocks
#41 Art Gallery Ettiquette
#42 Stone's Throw
#43 Plan B
#44 A Favor for Edgar
#45 Helping Happy
#46 La Leyenda De La Tortilla
#47 The Cupcake Helper
#48 What Makes a Great Man
#49 Prairie Dawn
#50 I'm the One Who...
Monday, January 18, 2010
Thoughts on the Golden Globes
Well, of course I was thrilled that Avatar won best drama and James Cameron took home the globe for best director, but here are a few other thoughts on the big event on Sunday night.
I couldn't have been happier that Glee won for Best Television Series - Comedy or Musical. Why has nobody ever done a musical tv show before?! It is fantastic!
I thought Meryl Streep's win for Best Actress in a Motion Picture - Comedy or Musical in Julie & Julia was well deserved. Her portrayal of Julia Child was spot on.
Martin Scorsese's being honored with the Cecil B. DeMille award was great.
I was delighted that Up won for Best Animated Feature Film and Best Original Score.
Though I've never watched The United States of Tara, I love Toni Colette and think she is incredibly talented (though she looked too thin). I was glad to see her win Best Performance by an Actress in a Television Series - Comedy or Musical.
And if you knew how much I love 30 Rock, you wouldn't have been surprised to see me smile when Alec Baldwin won for his performance there. That guy knows how to do comedy.
Adding to my Netflix list at least partly because of the show:
The Young Victoria
An Education
Invictus
Duplicity (looks like it's already in my queue actually)
Grey Gardens
United States of Tara Season 1
Into the Storm
I'll try to see Nine and Sherlock Holmes while they are still in the theater.
And I know this blog is supposed to be about film, but I'm a woman, so I can't very well talk about the Golden Globes without mentioning fashion.
My best dressed picks are:
Jeff Bridges
I thought he looked dapper in all black.
Halle Berry
I know, I know, she always wears something low-cut and backless, but if you had a skin and a body like that, wouldn't you?
Felicity Huffman
I love this dress! And damn, Felicity, you're buff!
Honorable mentions go to:
Jane Krakowski
Kate Hudson (whose everyday braless look is such a turnoff)
Fergie
Christina Aguilera (who managed to look classy for once)
Jennifer Aniston (sexiest of the night)
January Jones
Chloe Sevigny would have gotten an honorable mention if she weren't so unlikeable.
Best golden globes:
Mariah Carey
Nicole Kidman wins for Most Prominent Nipples and Christina Hendricks wins for Looks Most Like a Porn-star.
Though Tom Hanks was incredibly funny and I had mixed feelings on Ricky Gervais, Ricky had the best line of the night, "I like a drink as much as the next man, -- unless the next man is Mel Gibson", when introducing Gibson!
I couldn't have been happier that Glee won for Best Television Series - Comedy or Musical. Why has nobody ever done a musical tv show before?! It is fantastic!
I thought Meryl Streep's win for Best Actress in a Motion Picture - Comedy or Musical in Julie & Julia was well deserved. Her portrayal of Julia Child was spot on.
Martin Scorsese's being honored with the Cecil B. DeMille award was great.
I was delighted that Up won for Best Animated Feature Film and Best Original Score.
Though I've never watched The United States of Tara, I love Toni Colette and think she is incredibly talented (though she looked too thin). I was glad to see her win Best Performance by an Actress in a Television Series - Comedy or Musical.
And if you knew how much I love 30 Rock, you wouldn't have been surprised to see me smile when Alec Baldwin won for his performance there. That guy knows how to do comedy.
Adding to my Netflix list at least partly because of the show:
The Young Victoria
An Education
Invictus
Duplicity (looks like it's already in my queue actually)
Grey Gardens
United States of Tara Season 1
Into the Storm
I'll try to see Nine and Sherlock Holmes while they are still in the theater.
And I know this blog is supposed to be about film, but I'm a woman, so I can't very well talk about the Golden Globes without mentioning fashion.
My best dressed picks are:
Jeff Bridges
I thought he looked dapper in all black.
Halle Berry
I know, I know, she always wears something low-cut and backless, but if you had a skin and a body like that, wouldn't you?
Felicity Huffman
I love this dress! And damn, Felicity, you're buff!
Honorable mentions go to:
Jane Krakowski
Kate Hudson (whose everyday braless look is such a turnoff)
Fergie
Christina Aguilera (who managed to look classy for once)
Jennifer Aniston (sexiest of the night)
January Jones
Chloe Sevigny would have gotten an honorable mention if she weren't so unlikeable.
Best golden globes:
Mariah Carey
Nicole Kidman wins for Most Prominent Nipples and Christina Hendricks wins for Looks Most Like a Porn-star.
Though Tom Hanks was incredibly funny and I had mixed feelings on Ricky Gervais, Ricky had the best line of the night, "I like a drink as much as the next man, -- unless the next man is Mel Gibson", when introducing Gibson!
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